fishingboatproceeds:
(Like, in say AP English or your freshman in college lit class.)
I am asking because we are thinking about the future of Crash Course and stuff. Okay thanks.
I’m counting plays because we read them as books, and, well… short stories and collections.
AP English Language: “The Scarlet Letter”, “Huckleberry Finn”, “The Grapes of Wrath”, “The Great Gatsby”, “Cold Mountain”, and we were supposed to read “Death of a Salesman”, but ran out of time.
AP English Literature: “The Awakening”, “Hamlet”, “Macbeth” <3, “A Streetcar Named Desire”, “Much Ado About Nothing”, “Sense and Sensibility”, “One Hundred Years of Solitude”, “Heart of Darkness”, “The Importance of Being Earnest”, and a lot of poetry, since one semester was a poetry unit and the other was a non-poetry literature unit.
And college:
Detective Fiction: Sarah Paretsky’s “Indemnity Only”, Linda Hogan’s “Mean Spirit”, Chang-rae Lee’s “Native Speaker” (the best spy novel I’ve read), Dashell Hammett’s “Red Harvest”, Rudolph Fisher’s “The Conjure-Man Dies” (the best detective fiction work I’ve read), “The Dead Letter”
British Fiction: “Great Expectations”, E.M. Forster’s “Howard’s End”, “Jane Eyre”, Virginia Woolf’s “Mrs. Dalloway”, “Northanger Abbey”, “Pride and Prejudice”, Ann Radcliffe’s “Romance of the Forest”
Literary Analysis: “Twelfth Night”, Ibsen’s “A Doll’s House”.
Science Fiction: Ursula K. Le Guin’s “Cuckoo’s Egg” and “The Dispossessed”, Frank Herbert’s “Dune”.
Dickens: “Bleak House”, “David Copperfield”, “Hard Times”, “Oliver Twist”.
Creative Writing I: Roxanne Gay’s “Ayiti” (the second best book/ best collection of short stories I’ve read in college), Alissa Nutting’s “Unclean Jobs for Women and Girls”, Tim O’Brien’s “The Things They Carried”
Lit Resistance: Maria Edgeworth’s “Castle Rackrent”
Graphic Novel: “A Contract With God”, “Asterios Polyp”, “Underwater Welder”, “Swallow Me Whole”
Global Issues in Literature: Leslie Marmon Silko’s “Ceremony” <3, Ghassan Kanafani’s “Men in the Sun”, “One Hundred Years of Solitude” (again), Barbara Kingsolver’s “The Poisonwood Bible” (my favorite book in college thus far), Luis Valdez’s “Zoot Suit”
American Realism: Theodore Dreiser’s “Sister Carrie”, Sarah Orne Jewett’s “The Country of Pointed Firs”, Charless W. Chesnutt’s “The Marrow of Tradition”, Elizabeth Stuart Phelps’ “The Story of Avis”, William Dean Howells’ “Editha”, “Maggie: A Girl of the Streets”